kathy dalwood at Habitat |
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introducing the setsquares collection designed by Kathy Dalwood for Habitat For the Habitat Autumn Winter collection 2007 -08
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the project “I was delighted to engage in this collaboration with Habitat which has been an exciting and interesting project from start to finish. It’s been great to work with the product development team at Habitat and get the opportunity to discuss and develop my designs with such creative and imaginative people. The team initially picked up on some tile designs from my cast collection, a range which had presented me with huge manufacturing problems at the time and consequently – and frustratingly – never really saw the light of day. These designs became the starting point for the setsquares Habitat range, with two vase designs in addition to four decorative wall panels, all exploring the same visual themes and references. The manufacturers whom Habitat commissioned achieved an outstanding level of expertise in producing what turned out to be six very technically challenging designs. The finished products are absolutely faithful to my original concept and it has been fantastic to see the designs realized to such a high standard of craftsmanship. And of course to be able to present my designs to such a wide audience, through Habitat stores world-wide, is a really exciting opportunity. I hope that audience will also be interested to find out something about how a contemporary product range comes into being.”
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on habitat
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the setsquares collection |
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wall panel installation
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vases
tall vase
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tall vase h43 w15 d11cms white porcelain |
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small vase |
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small vase h30 w12 d12cms white porcelain |
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decorative wall panels
30cms square white porcelain
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placement The designs are intended to work both singly and grouped together – see some arrangements below.
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originating & developing the designs Initially ideas are developed through many sketches with reference (in this case) to a collection of images and photographs referring to architecture and engineered structures. Some of these two-dimensional ideas are then explored in three dimensions through solid plaster maquettes, cast from moulds constructed from various materals chosen to create indentations and textured pattern. For the vases, it was important that the object was interesting to view on all sides, and for the wall panels, the squares needed to work whichever way up they were, and in relation to each other. A final selection was made of the most successful designs – according to those criteria – and these maquettes (along with detailed plans) were passed on to the manufacture, who transposed the entire concept to porcelain.
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